{"id":45677,"date":"2023-09-05T14:45:43","date_gmt":"2023-09-05T13:45:43","guid":{"rendered":"https:\/\/suffolkcommunitylibraries.co.uk\/?p=45677"},"modified":"2025-10-03T14:54:30","modified_gmt":"2025-10-03T13:54:30","slug":"meet-the-author-rhys-bowen","status":"publish","type":"post","link":"https:\/\/suffolkcommunitylibraries.co.uk\/bn\/meet-the-author-rhys-bowen\/","title":{"rendered":"Meet the Author: Rhys Bowen"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”19px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n

5 September 2023<\/strong><\/em><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”19px” text_line_height=”1.3em” link_font_size=”19px” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Rhys Bowen is the New York Times bestselling author of more than forty novels, including Where the Sky Begins<\/em><\/a>, The Tuscan Child<\/em><\/a>, and the World War II-based In Farleigh Field<\/em><\/a>, the winner of the Left Coast Crime Award for Best Historical Mystery Novel and the Agatha Award for Best Historical Novel. Bowen\u2019s work has won over twenty honours to date, including multiple Agatha, Anthony, and Macavity awards. Her books have been translated into many languages, and she has fans around the world. A transplanted Brit, Bowen divides her time between California and Arizona.<\/p>\n

Rhys’ latest novel is The Paris Assignment<\/em><\/a> which was published in August 2023 by Lake Union Publishing. You can find The Paris Assignment<\/em> and Rhys’ other novels on the Suffolk Community Libraries catalogue<\/a>.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”19px” text_line_height=”1.3em” link_font_size=”19px” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″] <\/p>\n

Who were your heroes as you were growing up?<\/strong><\/p>\n

When I first discovered reading I was a big fan of Enid Blyton\u2019s Famous Five. Those children had my idea of the good life\u2014going camping alone on deserted islands, following clues. I wanted to do that.<\/p>\n

My first real literary hero was Tolkien. When I discovered The Lord of the Rings<\/em><\/a> in my teenage years I was blown away. That any writer could create a complete universe with its own rules, languages etc and make it all believable was incredible to me. It was the first book that I could not stop reading until I\u2019d finished all three volumes. Also it was the first book that touched my soul. I\u2019ve re-read it regularly every year since. It still moves me incredibly although I know a lot of it by heart.<\/p>\n

My other teenage heroes were tennis stars. I was really keen on tennis and had pictures of Laver and Rosewall on my bedroom walls.<\/p>\n

 <\/p>\n

How did you start in writing? Were you always writing from a young age?<\/strong><\/p>\n

My mother tells me I wrote my first poem when I was 4. I\u2019ve certainly always lived in pretend worlds, playing at being everything from a woodland animal to a circus star. I entertained my little brother with stories as we took car journeys. In my teenage years I wanted to be a film star so I wrote my own scripts for the day I became that star. They were all incredibly sad and dramatic! I also wrote lots of poetry at that age.<\/p>\n

But I also started seriously writing as a teen. The BBC radio accepted one of my short stories while I was still in school. So I\u2019ve always known I would write\u2014just not expected writing to be my profession for life.<\/p>\n

 <\/p>\n

What is your writing routine?<\/strong><\/p>\n

No music. Silence. A bare wall to stare at. I still write two plus books a year. This involves a lot of discipline, as you can imagine. I try to get a first draft done in three months. That gives me time to rewrite and polish. My books are all historical these days and require a lot of research. I do the big stuff ahead of time\u2014visit the sites (yes, I had to go to Venice, Tuscany and Paris, unfortunately) and read the historical background. Then I look up smaller things as I go.<\/p>\n

I write every day and try to do about 1500 words a day. Some days this is easy and I breeze ahead. Some days it\u2019s excruciating and I walk around muttering, throw loads in the washer, make coffee\u2026 but if I know I can\u2019t stop until I complete my word count then I keep at it. Often I think what I\u2019ve written is rubbish but when I read it the next day I decide it wasn\u2019t so bad.<\/p>\n

 <\/p>\n

Your latest release is The Paris Assignment<\/strong><\/em><\/a>. Can you tell us a little about it?<\/strong><\/p>\n

It\u2019s actually a story that is more than wartime Paris. It spans from 1930 to after the war in Australia. It\u2019s a great love story in many ways, but also a story of survival and revenge, highlighting the incredible bravery of young women dropped into occupied France. During my research I found out that the survival rate for these young woman was twenty five percent. They knew that three quarters of them would not make it but they still signed up. Their training was so brutal that I would have quit after day two. I presume it was to weed out those who might crack.<\/p>\n

There is also a parallel story in Australia going throughout the book. I had wanted to write about Australia since it was a big part of my own life. I was married in Sydney when I was working for ABC. My brother moved to Australia and my parents followed him. So for many years my whole family was there. I used to visit at least once a year until my mum died so I have great affinity for the country.<\/p>\n

 <\/p>\n

How did Molly Murphy Sullivan come to life in your mind and what is it like writing her story with your daughter Clare?<\/strong><\/p>\n

Molly was created the afternoon I took a sightseeing tour to Ellis Island. I was completely unprepared for the emotional overload I felt there and knew I had to write about it. Looking across from Ellis Island to Manhattan I realized the immigrants were so close to America but couldn\u2019t make that final crossing unless the government said they could. And I thought: it\u2019s the perfect locked room mystery! But who to tell it?<\/p>\n

I had been itching for some time to write a feisty first person female, one who has a strong sense of justice but is not always wise and doesn\u2019t know when to keep quiet or back off. I needed an immigrant I could identify with and since I\u2019m half Welsh and my husband is quarter Irish I know all about Celts. So Molly was born. I started writing that first book, Murphy\u2019s Law, in the first person and she hasn\u2019t shut up since!<\/p>\n

After 17 books I put the series on hold. I was writing the Royal Spyness<\/em><\/a> series and enjoying the fun of it, also now writing big historical stand-alone novels that took a lot of work so I had no time for Molly. But I kept getting letters wanting to know when the next Molly book would be coming out. Clare came to me one day and suggested that we write the series together. I was not sure about this. I knew she was a good writer, but what if this didn\u2019t work out? She\u2019s my daughter and I love her. But I gave it a try.<\/p>\n

I had expected I\u2019d have to do a lot of hand holding and guidance to start with but she came to that first book with great ideas, a good sense of who Molly was and it\u2019s been a joy ever since. She loves the research, reads the New York Times for every day that we write about, and has come up with new and fresh plots. It also gives us an excuse to talk every day, which I love! We\u2019ve now done three books together and are well into the fourth. What a blessing!<\/p>\n

 <\/p>\n

You have spoken in the past about your research. How do you know when you have enough to start committing words to paper and creating something new?<\/strong><\/p>\n

As I mentioned earlier I do the big research before I start. For The Paris Assignment<\/em> I rented a house on the Seine near Fontainebleau in 2019. That gave me a lot of my physical setting. I intended to go back the next year but Covid struck. Thus it was last year that I went back, stayed in Paris, chose my houses in the Marais, took a Seine cruise and saw what it was like to go through a lock, visited the museum of the resistance and simply saw how long it took to walk from one place to another.<\/p>\n

I like to experience personally what my characters have to go through (not the torture part). So when my vision of the world is in place I start writing. I can look up small things as I go along \u2014 which Metro station? How would she cross the Seine etc? But I always find that I use ten percent of my research but knowing the other 90 percent makes the book feel real.<\/p>\n

 <\/p>\n

Is there anything you can share with us about your latest project?<\/strong><\/p>\n

I\u2019ve just finished the next stand-alone called, at the moment, An Abandoned Place<\/em>. The story centres around one of those villages that were abandoned during WWII to let the army practice invasions. It is also about missing girls: three little girls after being evacuated from London during the Blitz and never found again, a girl vanished from London in 1968 and a heroine whose own life seems to be caught up with both these events. It\u2019s quite tense and dark and was hard to write\u2014like putting together a jigsaw puzzle, piece by piece, but I think it will be a satisfying read.<\/p>\n

 <\/p>\n

One book, piece of music or work of art that everyone should experience?<\/strong><\/p>\n

I\u2019ve already touted the Lord of the Rings<\/em>. I was raised on classical music but everyone\u2019s taste is so different that what means something to me might not to you. One piece of art? I\u2019m a huge fan of the Impressionists but should everybody like them?<\/p>\n

I think I\u2019d have to say one of the sculptures in the National Museum in Athens. Classical Greek sculptures from more that 2000 years ago. When you look at the elegance, the line, the understanding of human beauty, human expression and realize that humans were capable of this skill and creation so long ago you realize we haven\u2019t actually come very far, have we?<\/p>\n

 <\/p>\n

What is the funniest or strangest thing one of your readers has shared with you?<\/strong><\/p>\n

I\u2019ve had so many women write to me saying, \u201cI\u2019m Molly Murphy\u201d. There are a lot of them in the world. The strangest recently: I was on a ferry from Jersey to St Malo a few weeks ago. I looked up to find myself surrounded by strange women. One of them said, \u201cAre you Madame Bowen?\u201d When I replied \u201cOui\u201d it turned out they were French fans of my books, saw from Facebook that I was taking the ferry that day and had been searching for me. A lot of selfies ensued.<\/p>\n

 <\/p>\n

Can you tell us one thing about yourself that your readers may not know?<\/strong><\/p>\n

I am a big fan of water\u2026 I love to snorkel, boogie board, just sit and gaze at the ocean.[\/et_pb_text][et_pb_divider _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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