All of these longlisted titles are available to borrow for free with your Suffolk Community Libraries card.
Love Forms
Claire Adam
Trinidad, 1980: Dawn Bishop, aged 16, leaves her home and journeys across the sea to Venezuela. There, she gives birth to a baby girl, and leaves her with nuns to be given up for adoption. Dawn tries to carry on with her life – a move to England, a marriage, a career, two sons, a divorce – but through it all, she still thinks of the child she had in Venezuela, and of what might have been.
Then, forty years later, a woman from an internet forum gets in touch. She says that she might be Dawn’s long-lost daughter, stirring up a complicated mix of feelings: could this be the person to give form to all the love and care a mother has left to give?
The South
Tash Aw
When his grandfather dies, a boy named Jay travels south with his family to the property he left them, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Still, Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the local son of the farm’s manager, different from him in every way except for one.
Out in the fields, and on the streets into town, the charge between the boys intensifies. Inside the house, the other family members confront their own regrets, and begin to drift apart. Like the land around them, they are powerless to resist the global forces that threaten to render their lives obsolete.
Universality
Natasha Brown
On a Yorkshire farm, a man is brutally bludgeoned with a solid gold bar. A plucky young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic columnist, and a radical anarchist movement. She solves the mystery, but her viral longread exposé raises more questions than it answers.
‘Universality’ is a twisty, slippery descent into the rhetoric of truth and power. Through a voyeuristic lens, it focuses in on words: what we say, how we say it, and what we really mean.
One Boat
Jonathan Buckley
On losing her father, Teresa returns to a small town on the Greek coast – the same place she visited when grieving her mother nine years ago. She immerses herself again in the life of the town, observing the inhabitants going about their business, a quiet backdrop for her reckoning with herself. An episode from her first visit resurfaces vividly – her encounter with John, a man struggling to come to terms with the violent death of his nephew.
Soon Teresa encounters some of the people she met last time around: Petros, an eccentric mechanic, whose life story may or may not be part of John’s; the beautiful Niko, a diving instructor; and Xanthe, a waitress in one of the cafš on the leafy town square. They talk about their longings, regrets, the passing of time, their sense of who they are.
Flashlight
Susan Choi
One evening, ten-year-old Louisa and her father take a walk out on the breakwater. They are spending the summer in a coastal Japanese town while her father Serk, a Korean émigré, completes an academic secondment from his American university. When Louisa wakes up hours later, she has washed up on the beach and her father is missing, likely drowned. The disappearance of Louisa’s father shatters their small family unit, and she and her American mother Anne return to the US profoundly changed.
This traumatic event reverberates across time and space, as we follow mother and daughter trying to go on with their lives, while the mystery of what really happened to Serk that night slowly unravels.
The Loneliness of Sonia and Sunny
Kiran Desai
When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated, yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that only served to drive Sonia and Sunny apart.
Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world.
Audition
Katie Kitamura
One woman, the performance of a lifetime. Or two. An exhilarating, destabilising novel that asks whether we ever really know the people we love.
Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young – young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately.
The Rest of Our Lives
Ben Markovits
When Tom Layward’s wife had an affair he resolved to leave her as soon as his youngest daughter turned eighteen. Twelve years later, while driving her to Pittsburgh to start university, he remembers his pact. He is also on the run from his own health issues, and the fact that he’s been put on leave at work after students complained about the politics of his law class – something he hasn’t yet told his wife.
So, after dropping Miriam off, he keeps driving, with the vague plan of visiting various people from his past – an old college friend, his ex-girlfriend, his brother, his son – on route, maybe, to his father’s grave in California.
The Land in Winter
Andrew Miller
December 1962, a small village near Bristol. Eric and Irene and Bill and Rita. Two young couples living next to each other, the first in a beautiful cottage – suitable for a newly appointed local doctor – the second in a run-down, perennially under-heated farm. Despite their apparent differences, the two women (both pregnant) strike an easy friendship – a connection that comes as a respite from the surprising tediousness of married life, with its unfulfilled expectations, growing resentments and the ghosts of a recent past.
But as one of the coldest winters on record grips England in a never-ending frost and as the country is enveloped in a thick, soft, unmoving layer of snow, the two couples find themselves cut off from the rest of the world. And without the small distractions of daily existence, suddenly old tensions and shocking new discoveries threaten to change the course of their lives forever.
Endling
Maria Reva
Ukraine, 2022. Yeva is a maverick scientist who scours the country’s forests and valleys, trying and failing to breed rare snails while her relatives urge her to settle down and start a family of her own. What they don’t know: Yeva already dates plenty of men – not for love, but to fund her work – entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism. Nastia and her sister, Solomiya, are also entangled in the booming marriage industry, posing as a hopeful bride and her translator while secretly searching for their missing mother, who vanished after years of fierce activism against the romance tours.
So begins a journey of a lifetime across a country on the brink of war: three angry women, a truckful of kidnapped bachelors, and Lefty, a last-of-his-kind snail with one final shot at perpetuating his species.
Misinterpretation
Ledia Xhoga
In New York City, an Albanian interpreter cannot help but become entangled in her clients’ struggles, despite her husband’s cautions. When she reluctantly agrees to work with Alfred, a Kosovar torture survivor, during his therapy sessions, his nightmares stir up her own buried memories; while an impulsive attempt to help a Kurdish poet leads to a risky encounter and a reckless plan.
As ill-fated decisions stack up, jeopardising the nameless narrator’s marriage and mental health, she takes a spontaneous trip to reunite with her mother in Albania, where her life in the United States is put into stark relief. When she returns to face the consequences of her actions, she must question what is real and what is not.
Flesh
David Szalay
Once a shy young man from a town in Hungary, István is carried gradually upwards on the currents of the 21st century’s tides of money and power, moving from the army to the company of London’s super-rich, with his own competing impulses for love, intimacy, status and wealth winning him unimaginable riches, until they threaten to undo him completely. Spare and penetrating, ‘Flesh’ asks profound questions about what drives a life: what makes it worth living, and what breaks it.
Seascraper
Benjamin Wood
Thomas lives a slow, deliberate life with his mother in Longferry, working his grandpa’s trade as a shanker. He rises early to take his horse and cart to the grey, gloomy beach and scrape for shrimp, spending the afternoon selling his wares, trying to wash away the salt and scum, pining for Joan Wyeth down the street, and rehearsing songs on his guitar. At heart, he is a folk musician, but it remains a private dream.When a striking visitor turns up, bringing the promise of Hollywood glamour, Thomas is shaken from the drudgery of his days and begins to see a different future. But how much of what the American claims is true, and how far can his inspiration carry Thomas?
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